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These decisions can be chosen by the player or rolled randomly for those who like the challenge of assembling a character from elements that might be contradictory. Making characters for the game is a bit of a mini game because you follow your character through their upbringing and early career in Starfleet. The other Trek films are great space romps, but Khan feels deeply, deeply personal as you watch these great men spit and claw at each other with unfathomable rage.Everyone playing Star Trek Adventures needs to make a character. Director Nicholas Meyer, who also wrote Khan, shows exquisite patience in the film’s climactic showdown, drawing out the tension as Kirk and Khan hunt each other in the Mutara Nebula. Montalban and Shatner are at the top of their games, effortlessly owning every scene they’re in, yet providing the perfect counter for each other. Picking up the threads of The Original Series episode “Space Seed”, Khan is a retelling of Moby Dick as the genetically superior Khan chases his white whale, Admiral James T.
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Secondly, if you’re only going to watch a single Trek film, this is the one. Ricardo Montalban in Star Trek II: The Wrath of Khan (1982) (Image credit: Paramount Pictures)įirst, and most importantly, yes, that is Ricardo Montalban’s real chest.
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Chekov asking anyone if they know where the “nuclear wessels” are, Scotty cooing “Hello, computer” into a mouse, Kirk yelling “Double dumbass on you!” to an angry driver – it’s all immensely charming and genuinely funny. The ecological message wasn’t exactly subtle, but Voyage isn’t preachy. The crew of the Enterprise travel back to 1980’s San Francisco to snatch a mating pair of humpback whales and return them to the future, preventing the unanswered probe from destroying the planet. An alien probe is trying to communicate with Earth, but the only creature that could respond, the humpback whale, is long since extinct. It eases off the sci fi, instead going for a classic fish-out-of-water scenario. Walter Koenig, Leonard Nimoy, William Shatner, James Doohan, DeForest Kelley, George Takei, and Nichelle Nichols in Star Trek IV: The Voyage Home (1986) (Image credit: Paramount Pictures)Īka “The One With the Whales”, Voyage Home leans heavily on humor to great effect. It has interpersonal conflict, heroics, hubris, and a brilliant reveal about V’ger’s true nature. The Enterprise is the only ship within intercept range of the cloud, because how else is Kirk going to have an excuse to take over command? The Motion Picture shows its age more than most of the other films of the franchise, but was a perfect vehicle to move the Enterprise and her crew from the small screen to the theater. The plot is pure Trek: An energy cloud housing a living machine is headed for Earth, destroying everything in its wake. The ponderous pacing and pure 70s-ness of the costumes makes The Motion Picture a slog, but at least it’s a spectacular slog. Walter Koenig, Leonard Nimoy, William Shatner, Majel Barrett, James Doohan, DeForest Kelley, Persis Khambatta, George Takei, Stephen Collins, Nichelle Nichols, and Grace Lee Whitney in Star Trek: The Motion Picture (1979) (Image credit: Paramount Pictures)
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At no point is a viewer not acutely aware that this movie had to happen to get Spock back on the Enterprise, and it almost isn’t worth it. You could generously call it an homage to Trek’s humble beginnings, but it’s very strange after the lush visuals of Khan. Also, the entire film looks bizarrely cheap.
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Thus begins a “how do we get Spock’s consciousness back into his newly reborn body” reverse-heist film that is crammed full with awkward moments. After his sacrifice saves the Enterprise from certain destruction, Spock’s casket is shot into space, eventually settling on the Genesis planet.
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On the plus side, it has Christopher Lloyd as a Klingon.